Rich Girl

May 23 - June 21, 2015
(Opening Night: Thursday, May 28, 8:00 p.m.)
WEST COAST PREMIERE
Sheryl and Harvey White Theatre
Conrad Prebys Theatre Center

By Victoria Stewart
Directed by James Vásquez
Scenic Design by Wilson Chin
Costume Design by Shirley Pierson
Lighting Design by Amanda Zieve
Sound Design by Lindsay Jones
Video Design by Mark Holmes, Paul Peterson
Casting by Caparelliotis Casting
Production Stage Manager, Diana Moser

Claudine’s mother has it all: she’s wealthy, successful, and famous. Claudine is awkward, shy, and forever living in her mother’s shadow. When a dashing artist sweeps Claudine off her feet, her mother is convinced that all he’s after is her money. A modern retelling of the Henry James novel Washington Square, which became the stage and screen classic The Heiress, Rich Girl is a moving and funny new play about mothers and daughters, love and money, and whether they can ever coexist. The News-Herald called it “beautifully written – a thoroughly delightful entertainment!” Prolific playwright Victoria Stewart received the Francesca Primus Award, a McKnight Advancement Grant, the Helen Merrill Award, the Susan Smith Blackburn Prize (finalist), and the Jerome Fellowship, as well as residencies at the Sundance Institute Playwright’s Retreat at Ucross Foundation, Hedgebrook, Tofte Lake Center, and Donmar Warehouse.


Production Photos
JD Taylor as Henry and Lauren Blumenfeld as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Carolyn Michelle Smith as Maggie, Lauren Blumenfeld as Claudine, JD Taylor as Henry, and Meg Gibson as Eve in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(foreground) Meg Gibson as Eve and JD Taylor as Henry with (background, from left) Lauren Blumenfeld as Claudine and Carolyn Michelle Smith as Maggie in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Meg Gibson as Eve, Lauren Blumenfeld as Claudine, and JD Taylor as Henry in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Lauren Blumenfeld as Claudine and Meg Gibson as Eve in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Lauren Blumenfeld as Claudine and JD Taylor as Henry in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Meg Gibson as Eve and Carolyn Michelle Smith as Maggie in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Lauren Blumenfeld as Claudine and JD Taylor as Henry in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Carolyn Michelle Smith as Maggie and Lauren Blumenfeld as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Lauren Blumenfeld as Claudine and JD Taylor as Henry in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Lauren Blumenfeld as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Meg Gibson as Eve in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
 
 
JD Taylor as Henry in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Carolyn Michelle Smith as Maggie in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
  


Publicity Photos
(from left) Meg Gibson appears as Eve and Lauren Blumenfeld as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) JD Taylor appears as Henry, Meg Gibson as Eve, Lauren Blumenfeld as Claudine, and Carolyn Michelle Smith as Maggie in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Meg Gibson appears as Eve and Lauren Blumenfeld as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
JD Taylor appears as Henry and Lauren Blumenfeld as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Lauren Blumenfeld appears as Claudine in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Meg Gibson appears as Eve in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
JD Taylor appears as Henry in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Carolyn Michelle Smith appears as Maggie in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Director James Vásquez (center) with the cast of Rich Girl: (from left) JD Taylor, Lauren Blumenfeld, Meg Gibson, and Carolyn Michelle Smith. The West Coast premiere of Victoria Stewart's Rich Girl runs May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
The cast of Rich Girl: (from left) JD Taylor, Lauren Blumenfeld, Meg Gibson, and Carolyn Michelle Smith. The West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, runs May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
(from left) Lauren Blumenfeld appears as Claudine and Meg Gibson as Eve in the West Coast premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
James Vásquez directs the West Coast premiere of Victoria Stewart's Rich Girl, May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Director James Vásquez and Old Globe Artistic Director Barry Edelstein (center) with the cast of Rich Girl: (from left) JD Taylor, Lauren Blumenfeld, Meg Gibson, and Carolyn Michelle Smith. The West Coast premiere of Victoria Stewart's Rich Girl runs May 23 - June 21, 2015 at The Old Globe. Photo by Jim Cox.
Playwright Victoria Stewart. The West Coast Premiere of Stewart's Rich Girl, directed by James Vásquez, will run May 23 - June 21, 2015 at The Old Globe. Photo courtesy of The Old Globe.
The West Coast Premiere of Victoria Stewart's Rich Girl, directed by James Vásquez, will run May 23 - June 21, 2015 at The Old Globe. Art courtesy of The Old Globe.


Cast and Creative Team

(click on image to download a high-resolution photo)
Lauren Blumenfeld (Claudine) is thrilled to be making her Globe debut. She has played an eclectic array of characters, ranging from Olive Oyl to Jesus to Barack Obama. Blumenfeld appeared on Broadway in Manhattan Theatre Club’s The Assembled Parties by Richard Greenberg. Her Off Broadway credits include Soho Repertory Theater’s We Are Proud to Present... by Jackie Sibblies Drury, Exit Carolyn (New York Innovative Theatre Award nomination), and Sailor Man (Fringe Excellence Award). At Ars Nova, she co-conceived and performed two one-woman shows: We Are Not Birds (Enjoy Your Flight!) by Bekah Brunstetter and Let Me Collect Myself by Nikole Beckwith. Blumenfeld’s regional credits include Six Degrees of Separation, After the Revolution, Egg-Layers, Chopin’s Preludes, and A Midsummer Night’s Dream (Williamstown Theatre Festival), Circle Mirror Transformation (Pittsburgh Public Theater), and Tigers Be Still (TheatreSquared in Arkansas). Her television and film credits include “Deadbeat” (Hulu), “Unforgettable” (CBS), Black Dog Red Dog, The Rebound, and A Little Princess. She is a proud volunteer and smart partner at The 52nd Street Project. Laurenblumenfeld.com.
Meg Gibson (Eve) was last seen at the Globe in 1985 in A Midsummer’s Night Dream directed by Jack O’Brien and Painting Churches. Her New York credits include, for The Public Theater, Talking About Race (Public Forum, The Aspen Institute), Measure for Measure (Mobile Shakespeare Unit), King Lear, The Ride Down Mt. Morgan, Casanova, Fen, and Temptation. Her other Off Broadway credits are Human Error (Atlantic Theater Company), Slipping (Rattlestick Playwrights Theater), Roman Fever (The Ensemble Studio Theatre), Lapis Blue, Blood Red (HERE Arts Center), From Above (Playwrights Horizons), Messiah (Manhattan Theatre Club), and The Games (Brooklyn Academy of Music’s Next Wave Festival), and she was an Artist-in-Residence at Mabou Mines. Her regional work includes Mark Taper Forum, American Repertory Theater, Yale Repertory Theatre, Long Wharf Theatre, Hartford Stage, Actors Theatre of Louisville, Huntington Theatre Company, Williamstown Theatre Festival, Westport Country Playhouse, National Playwrights Conference at The Eugene O’Neill Theater Center, and Sundance Institute Theatre Lab. For television she has appeared in “Treme,” “The Americans,” “Rubicon,” “Zero Hour,” “Blue Bloods,” “Sex and the City,” and all versions of “Law & Order.” Gibson’s film credits include Che, Dust, Amira and Sam, The Night Listener, Picture Perfect, and Dottie.
Carolyn Michelle Smith (Maggie) recently appeared on Broadway in Romeo and Juliet directed by David Leveaux. Her other New York credits include Hit the Wall by Ike Holter and Soldier X (Off Broadway). Her regional credits include WHADDABLOODCLOT!!! by Katori Hall at Williamstown Theatre Festival and productions at Actors Theatre of Louisville, Seattle Shakespeare Company, and Princeton Rep Shakespeare Festival. Her television credits include “Codes of Conduct” directed by Steve McQueen (HBO) and “House of Cards” (Netflix), playing the role of Willa, Chief of Staff to Claire Underwood. Her film credits include Full-Windsor, directed by Faraday Okoro, Portraits in Dramatic Time by David Michalek, and He’s Way More Famous Than You, directed by Michael Urie. Smith trained at Fordham University at Lincoln Center (where she received a B.A.), British American Drama Academy’s Midsummer in Oxford, and The Juilliard School.
JD Taylor (Henry) is making his Globe debut. His recent theatre credits include The Understudy by Theresa Rebeck (McCarter Theatre Center), Ed in the world premiere of Ed, Downloaded (Denver Center Theatre Company), Leslye Headland’s Bachelorette (The Studio Theatre), Red (Asolo Repertory Theatre, Maltz Jupiter Theatre), She Stoops to Conquer (Williamstown Theatre Festival), Missed Connection (Samuel French Off Off Broadway Short Play Festival winner), Ground UP Production’s world premieres of Rubber Ducks and Sunsets (Gene Frankel Theatre) and Letter from Algeria (Abingdon Theatre Company), and many development workshops and readings with The Eugene O’Neill Theater Center’s National Playwrights Conference, Sundance Institute Theatre Lab, Classic Stage Company, Ars Nova, Soho Repertory Theater, Lark Play Development Center’s Playwrights’ Workshop, and Theatreworks USA. Taylor’s television and film credits include “Elementary,” “The Good Wife,” The Mend (SXSW Grand Jury Award nomination for Narrative Feature), Therefore I Am, Welcome to New York, and Lewis Black Drama Queen. He received his M.F.A. from New York University’s Graduate Acting program.
  Victoria Stewart (Playwright) graduated from the Playwrights Workshop at The University of Iowa. Since then, she has received the Francesca Primus Award, a McKnight Advancement Grant, the Helen Merrill Award, the Susan Smith Blackburn Prize (finalist), and the Jerome Fellowship as well as residencies at the Sundance Institute Playwright’s Retreat at Ucross Foundation, Hedgebrook, Tofte Lake Center, and Donmar Warehouse. Her plays include Rich Girl (Cleveland Play House, George Street Playhouse, The Lyric Stage Company of Boston), Mercy Watson to the Rescue! (The Magik Theatre, Bay Area Children’s Theatre/Marin Theatre Company, Children’s Theatre Company), Hardball (Live Girls! Theater, Summer Play Festival), Fissures (lost and found) (Actors Theatre of Louisville), Clandestino (Mixed Blood Theatre), LIVE GIRLS (Urban Stages, Wellfleet Harbor Actors Theater, Stage Left Theatre), 800 Words: The Transmigration of Philip K. Dick (Live Girls! Theater, Workhaus Collective, Caravan Theatre of Pittsburgh), and an adaptation of Henry James’s The Bostonians. She is a member of Workhaus Collective, The Playwrights Union of Los Angeles, The Playwrights’ Center (affiliated writer), and Writers Guild of America, West. Recently, she wrote a screenplay for HBO and is developing several projects for television.
  James Vásquez (Director) has previously worked at The Old Globe directing Dr. Seuss’ How the Grinch Stole Christmas! and Richard O’Brien’s The Rocky Horror Show, serving as Associate Director of Jane Austen’s Emma – A Musical Romantic Comedy, and providing musical staging for Boeing-Boeing and the 2013 Shakespeare Festival production of A Midsummer Night’s Dream. He received San Diego Theatre Critics Circle Award nominations for Outstanding Direction of a Musical for the world premiere of Harmony, Kansas and the West Coast premiere of [title of show] (Diversionary Theatre) and won the award in 2010 for Sweeney Todd (Cygnet Theatre Company). His other recent directing/choreography credits include West Side Story and Cats (San Diego Musical Theatre), Marry Me a Little, Birds of a Feather, Pippin, and Next Fall (Diversionary), and Hedwig and the Angry Inch and Little Shop of Horrors (Cygnet), as well as developmental workshops at La Jolla Playhouse and Goodspeed Musicals. In 2004, Vásquez founded Daisy 3 Pictures with Mark Holmes and Carrie Preston. Their first two feature films, 29th and Gay (TLA Releasing, Here TV) and Ready? OK! (Wolfe Video, LOGO), have played national and international film festivals, with Ready? OK! winning Best Feature Film awards in Seattle, North Carolina, and San Diego. Their latest feature film, That’s What She Said, starring Anne Heche, made its world premiere at the 2012 Sundance Film Festival. Vásquez is a graduate of The Juilliard School.
  Wilson Chin (Scenic Design) returns to The Old Globe after designing Othello, The Winter’s Tale, Anna Christie (Craig Noel Award nomination), Engaging Shaw, and The American Plan. His New York credits include Next Fall (Broadway, Naked Angels), By the Water (Manhattan Theatre Club), Too Much, Too Much, Too Many (Roundabout Theatre Company), Pericles, Prince of Tyre and Macbeth (The Public Theater), The Jammer (Atlantic Theater Company), Len, Asleep in Vinyl (Second Stage Theatre), Dark Matters (Rattlestick Playwrights Theatre), and Boom (Ars Nova). His opera designs include Lucia di Lammermoor (Lyric Opera of Chicago), Eine Florentinische Tragodie and Gianni Schicchi (Canadian Opera Company, Dora Award), I Am Harvey Milk (Avery Fisher Hall), and The Ghosts of Versailles (Wolf Trap Opera). Regionally, he has designed at American Conservatory Theater, Barrington Stage Company, Cincinnati Playhouse in the Park, Geffen Playhouse, Guthrie Theater, Hartford Stage, The Shakespeare Theatre Company, Signature Theatre Company, Westport Country Playhouse, and Yale Repertory Theatre. Chin is a graduate of UC Berkeley and Yale School of Drama. wilsonchin.com.
  Shirley Pierson (Costume Design), a San Diego-based, award-winning costume designer, marks her Globe design debut with Rich Girl. Her work has been featured on stages throughout San Diego County, such as Cygnet Theatre Company, Diversionary Theatre, and New Village Arts. Among her show credits are Parade (2012 Craig Noel Award for Outstanding Costume Design), Spring Awakening, The Importance of Being Earnest (2013 Craig Noel Award nomination), Assassins, The Glass Menagerie, Little Shop of Horrors, Cabaret, Sweeney Todd, Private Lives, History Boys, Pippin, Harmony, Kansas, Next Fall, Sea Scape, and the Old Globe/USD M.F.A. production of Richard III. Pierson has also designed costumes and puppets for Kaiser Permanente’s Educational Theatre Program, which tours schools throughout Southern California and focuses on issues of literacy, nutrition, and conflict management. Her credits include assistant designer as well, aiding Linda Cho, Robert Morgan, and Charlotte Devaux on several past productions at The Old Globe. Prior to entering the world of costume design, Pierson had a successful career as a buyer for several major department stores, as well as a textile merchandiser for several major sportswear manufacturers in the fashion industry. She is a faculty member of the Performing Arts Department at Palomar College and received her M.F.A. in Theatre Design from San Diego State University. shirleypiersondesigns.com.
  Amanda Zieve (Lighting Design) is thrilled to be making her design debut for The Old Globe. Her recent San Diego credits include Designer for West Side Story (San Diego Musical Theatre), Associate Lighting Designer for Bright Star and Allegiance – A New American Musical (The Old Globe), and The Hunchback of Notre Dame and Chasing the Song (La Jolla Playhouse). She will be taking part in her 12th Broadway production soon as Assistant Lighting Designer for Hamilton. She received her B.A. in Theatre from California State University Northridge. She is very thankful for her supportive family and friends. amandazieve.com.
  Lindsay Jones (Original Music and Sound Design) previously worked on the Globe productions of Buyer & Cellar, Richard III, As You Like It, Inherit the Wind, The Recommendation, Groundswell, Opus, The Glass Menagerie, In This Corner, Oscar and the Pink Lady, Lincolnesque, Sky Girls, and Beyond Therapy, among others. He designed and composed for the Broadway productions of Bronx Bombers and A Time to Kill. His Off Broadway credits include Bootycandy (Playwrights Horizons), Mr. Joy (LCT3), Wild with Happy (The Public Theater), Top Secret (New York Theatre Workshop), Rx (Primary Stages), and many others. His regional credits include Guthrie Theater, Hartford Stage, Alliance Theatre, Goodman Theatre, American Conservatory Theater, Chicago Shakespeare Theater, Steppenwolf Theatre Company, La Jolla Playhouse, Arena Stage, and many others. His international work includes Stratford Shakespeare Festival in Canada and Royal Shakespeare Company in England, as well as productions in Austria, Zimbabwe, South Africa, and Scotland. Jones has received seven Joseph Jefferson Awards and 21 nominations, two Ovation Awards and three nominations, and a Los Angeles Drama Critics Circle Award, as well as three Drama Desk Award nominations, two Helen Hayes Award nominations, and nominations for the Barrymore Awards, Henry Hewes Design Awards, and many others. His film scoring credits include Magnolia Pictures’ The Brass Teapot and HBO Films’ A Note of Triumph: The Golden Age of Norman Corwin (2006 Academy Award for Best Documentary, Short Subjects). lindsayjones.com.
  Mark Holmes (Video Design), along with James Vásquez and Carrie Preston, is the co-founder of Daisy 3 Pictures. He served as executive producer on 29th and Gay (TLA Releasing), Ready? OK! (Wolfe Releasing), and their latest film, That’s What She Said (Phase 4 Films). He also provides technical, editorial, and production consultation on most Daisy 3 Pictures work. In San Diego, he has provided video and film work for Cygnet Theatre Company, Diversionary Theatre, the Theatre Arts School of San Diego, San Diego Musical Theatre, and other clients. He is happy to be making his debut at The Old Globe.
  Paul Peterson (Video Design) has designed over 100 productions at The Old Globe, including Other Desert Cities, The Brothers Size, God of Carnage, Nobody Loves You, Odyssey, Engaging Shaw, Life of Riley, Plaid Tidings – A Special Holiday Edition of Forever Plaid, Welcome to Arroyo’s, Brighton Beach Memoirs, Broadway Bound, The Last Romance, Lost in Yonkers, I Do! I Do!, The Mystery of Irma Vep, Kingdom, Six Degrees of Separation, The Women, Dr. Seuss’ How the Grinch Stole Christmas!, Bell, Book and Candle, Two Trains Running, Hold Please, Restoration Comedy, Pig Farm, Moonlight and Magnolias, Vincent in Brixton, Lucky Duck, The Intelligent Design of Jenny Chow, Blue/Orange, Time Flies, Pentecost, Compleat Female Stage Beauty, The Boswell Sisters, Crumbs from the Table of Joy, and many more. His regional credits include designs for Milwaukee Repertory Theater, San Jose Repertory Theatre, Center Stage, La Jolla Playhouse, Sledgehammer Theatre (Associate Artist), Mo’olelo Performing Arts Company, San Diego Repertory Theatre, North Coast Repertory Theatre, Diversionary Theatre, TheatreWorks Silicon Valley, Malashock Dance, University of San Diego, San Diego State University, and UCLA. Peterson received his B.F.A. in Drama with an emphasis in Technical Design from San Diego State University.
  Caparelliotis Casting (Casting) recently cast the Globe productions of Arms and the Man, Buyer & Cellar, The White Snake, The Twenty-seventh Man, Dr. Seuss’ How the Grinch Stole Christmas!, The Royale, Vanya and Sonia and Masha and Spike, Water by the Spoonful, Time and the Conways, Bethany, The Winter’s Tale, The Few, Double Indemnity, The Rainmaker, Other Desert Cities, Be a Good Little Widow, A Doll’s House, The Brothers Size, Pygmalion, and Good People. Their Broadway casting credits include Fish in the Dark, It’s Only a Play, Disgraced, Holler If Ya Hear Me, Casa Valentina, The Snow Geese, Lyle Kessler’s Orphans, The Trip to Bountiful, Grace, Dead Accounts, The Other Place, Seminar, The Columnist, Stick Fly, Good People, Bengal Tiger at the Baghdad Zoo, The House of Blue Leaves, Fences, Lend Me a Tenor, and The Royal Family. They also cast for Manhattan Theatre Club, Second Stage Theatre, Atlantic Theater Company, LCT3, Ars Nova, Goodman Theatre, Arena Stage, Ford’s Theatre, and three seasons with Williamstown Theatre Festival. Their recent film and television credits include HairBrained with Brendan Fraser, “Odyssey” (upcoming, NBC series), “How to Get Away with Murder” (ABC pilot), “Ironside” (NBC), and Steel Magnolias (Sony for Lifetime).
  Diana Moser (Production Stage Manager) recently stage managed the Globe productions of Time and the Conways and All’s Well That Ends Well, the inaugural touring production of Globe for All. Since 2004 she has worked on over 25 shows at the Globe including Other Desert Cities, The Brothers Size, August: Osage County, The Recommendation, Brighton Beach Memoirs and Broadway Bound, The Whipping Man, I Do! I Do!, Opus, Six Degrees of Separation, The Pleasure of His Company, In This Corner, the 2007 Summer Shakespeare Festival, Restoration Comedy, and The Intelligent Design of Jenny Chow. Moser’s regional credits include La Jolla Playhouse, San Diego Repertory Theatre, Arena Stage, The Repertory Theatre of St. Louis, New York Theatre Workshop, Berkshire Theatre Festival, Children’s Theatre Company of Minneapolis, and Arizona Theatre Company. Moser received her B.A. from Bard College and her M.F.A. in Directing from Purdue. She lives in Nova Scotia, Canada with her husband, photographer Paul H. Williams. Moser is a proud member of Actors’ Equity. HaresignPhotoWorks.com.